Dave checks out Grant Wood’s tiny studio.
Grant Wood is perhaps my home state of Iowa’s most renowned artist, but until last summer I really knew little more about him than that he painted American Gothic. That all changed when, on a trip to the small town library near our campground I spotted something quite unexpected: Full frontal nudity.
Okay, that was cheap—but true. The library had an extensive collection of Wood’s lithographs including “Sultry Night” which depicts a naked farmer cooling off at the horse trough.
Wood designed this window for the door of his studio. There is a pointer that can be dialed around to show if he’s home—and taking a bath, or having a party.
I’m just back from a Christmas trip home and had a chance to add to what I learned on that earlier visit (which you can read about HERE) with a tour of the studio in Cedar Rapids where Wood painted many of his most noted works.
The studio was in a converted hayloft above a stable that once housed horses used to pull hearses for the adjoining funeral home. Once mechanization came along the stable wasn’t needed anymore and as it happened, the funeral home’s owner was one of Wood’s patrons, and offered him the space in 1924. He lived there (for a while along with his mother and sister) for over a decade.
Wood created these collages which he gave to friends using found materials from around his studio located on a back alley—and thus named them “Lilies of the Alley.”
Wood designed built-in furniture for the space (he was, I now know, also a noted local interior decorator), and even included a small stage for performances of the local community theater company—which he founded. He was also a sculptor, and designed jewelry—as well a huge stained glass window for a local public building.
He was multi-talented, witty, and reportedly gave great parties. So not so surprising then that a number researchers have come to the conclusion that he was probably gay.
