Tag Archives: Iowa

You Never Know What You’ll Find Down a Country Road

ShrimpJust down the road from our current campground is the tiny Iowa farm town of Oxford—population 821. It hasn’t changed much since I was a kid growing up nearby and we’d come to the rodeo held outside town every year.

With one exception— a few years ago a new restaurant popped up in one of the pretty historic brick buildings along the couple of streets that comprise downtown. A restaurant run by a couple flooded out of New Orleans by Katrina.AugustaSign

And so last night we had a big family gathering at Augusta, ten of us in all, gathered around mismatched tables with pretty table clothes, surrounded by walls covered in a mixture of New Orleans mementos and the work of local artists. I had shrimp and a grit cake on the side as good as any I’ve ever had in New Orleans. Rosemary may not be one of the “holy trinity” of Creole spices, but after these shrimp I’m convinced a “holy quad” is in order. Great gumbo too, and red beans that also departed a bit from the way they’re traditionally spiced, but nonetheless delicious.

In a bit of cross-cultural irony, displayed on the wall was a newspaper article reporting that Augusta’s “tenderloin,” as the iconic Midwestern fried pork sandwich is known, had been voted the best in Iowa by the pork producer’s association.

Dr.-BobThere too, right next to beer taps where it belongs, was one of our old New Orleans neighbor Dr. Bob’s signature “Be Nice or Leave” signs.

Beyond American Gothic: Part 2

Dave checks out Grant Wood's tiny studio.

Dave checks out Grant Wood’s tiny studio.

Grant Wood is perhaps my home state of Iowa’s most renowned artist, but until last summer I really knew little more about him than that he painted American Gothic.  That all changed when, on a trip to the small town library near our campground I spotted something quite unexpected: Full frontal nudity.

Okay, that was cheap—but true. The library had an extensive collection of Wood’s lithographs including “Sultry Night” which depicts a naked farmer cooling off at the horse trough.

Wood designed this window for the door of his studio. There is a pointer that can be dialed around to show if he's home—and taking a bath, or having a party.

Wood designed this window for the door of his studio. There is a pointer that can be dialed around to show if he’s home—and taking a bath, or having a party.

I’m just back from a Christmas trip home and had a chance to add to what I learned on that earlier visit (which you can read about HERE) with a tour of the studio in Cedar Rapids where Wood painted many of his most noted works.

The studio was in a converted hayloft above a stable that once housed horses used to pull hearses for the adjoining funeral home.  Once mechanization came along the stable wasn’t needed anymore and as it happened, the funeral home’s owner was one of Wood’s patrons, and offered him the space in 1924. He lived there (for a while along with his mother and sister) for over a decade.

Wood created these collages which he gave to friends using found materials from around his studio located on a back alley—and thus named them "Lilies of the Alley."

Wood created these collages which he gave to friends using found materials from around his studio located on a back alley—and thus named them “Lilies of the Alley.”

Wood designed built-in furniture for the space (he was, I now know, also a noted local interior decorator), and even included a small stage for performances of the local community theater company—which he founded. He was also a sculptor, and designed jewelry—as well a huge stained glass window for a local public building.

He was multi-talented, witty, and reportedly gave great parties.  So not so surprising then that a number researchers have come to the conclusion that he was probably gay.

Mugs and Memories

MugWEBSo I said, somewhat self-importantly, to Dave, “My vision for living large in a small footprint means that we won’t have a lot of stuff, but absolutely everything we do have has to be something we really love.”

And I’d pretty much pre-determined that we’d achieve that grand vision (at least in the Fabulous Fifth Wheel’s kitchen) with a quick trip to IKEA when we got to our stop in Houston.

We did make that trip. There is über contemporary new flatware in a drawer and a set of knives in a very cool knife holder that now graces the counter.  But the dishes we decided we loved the most came with us—a discontinued pattern from Dansk that we found at our friend Ray’s yard sale. Ray used to be a manager at Commander’s Palace, so his cast-off dinnerware is fabulous by anyone else’s standards.  The cobalt blue glass bowls we found to go with those dishes are from Walmart.

And then there are the mugs.  Some pretty, some not. Some handmade, some not. What unites them as a collection is that each has a story that made them worthy of the journey.

There’s the left-handed mug I bought from Joe Polotzola, a retired radiology tech turned potter and healthy cooking guru.  Drop by his little studio in Amite, Louisiana, and while you’re admiring his beautiful pottery he’s likely to offer you something he’s just steamed up in one of his hand thrown steamers. (Fun fact: Dave is left-handed, while his identical twin is right-handed. Such twins, it turns out, are actually genetic mirror images, a lesson I learned when I presented him with the mug. So it clearly had to come along.)

Then there’s the 30-something year-old Astroworld mug that my kids bought for me on a trip there in its heyday. It’s personalized with my name above a drawing of the Tazmanian Devil cartoon character. I’m not sure if they intended to make a statement there. That was the summer I’d planned another trip for us all to Disneyworld, and was dismayed when I got a lukewarm response to the announcement. Turns out that there just weren’t enough really scary rides at Disneyworld to suit them and so Astroworld it was, where we stayed until the park closed one evening while they rode the same rollercoaster over and over again. I was a little nauseous just watching. And the lesson I carried away is that Disneyworld is really for adults—the kids are just an excuse.

And then there is this mug from which I’m drinking my morning coffee as I write this, a gift from my lifelong friend Terry with whom I grew up in Iowa. We’ve been friends since grade school, but we’ve both spent most of our adult lives far from home—Louisiana for me, Mexico City for him.  This mug was his tongue-in-cheek reminder of the roots from whence we both came.  Roots from a place that excels at growing them deep and strong. Roots that have served us both well.

Foto Friday

DaveWoodenShoesWEBI’ve decided to fill in (while I’m pondering my pithier posts) with a few favorite photos from along the way.  This one of Dave in giant wooden shoes was taken in Pella, Iowa, which was founded by a Dutch minister who’d been banned from preaching his version of the Good Word in the Netherlands.  Fun fact:  Long before he wore cowboy boots, Wyatt Earp also (probably) wore wooden shoes here in the town where he grew up.

Pigs. Corn. Equality.

It was Dave's first trip to the Iowa Capitol too.

It was Dave’s first trip to the Iowa Capitol too.

“Well it’s about time,” the tour guide quipped when I explained that although I grew up in Iowa, lo these many years later, this was my first time to see its state capitol building.

The dome is just as impressive from the inside as from the outside.

The dome is just as impressive from the inside as from the outside.

And what a palace of a statehouse it is. 330,000 square feet of marble floors, hand-painted frescos, Italian tile murals and hand carved woodwork. All topped with a huge dome covered in 23 karat gold leaf.

Dave and I looked at each other and had exactly the same reaction: How did they convince a bunch of frugal farmers to do let them build this?

One of the panels from the display in the State Historical Museum detailing Iowa's long history of social justice.

One of the panels from the display in the State Historical Museum detailing Iowa’s long history of social justice.

At the state historical museum next door, there was a particularly inspiring exhibit which reminded me that, besides frugality, Iowans have another core value:

A long history of social justice.

In 1839 when a Missouri slave owner came to retrieve a slave from Iowa, its supreme court ruled “No man in this territory can be reduced to Slavery.” The U.S. Supreme court later overturned that ruling.

In 1869 Iowa was the first state to admit a woman to the bar.

My alma mater The University of Iowa was the first public university to grant a law degree to a woman (1873) and to an African American (1879), and the first to put an African American student on a varsity  athletic squad. It also had the first female college newspaper editor in 1907 and was the first state university to recognize an LGBT student organization.

There was at least one moment of frugality in the capitol building. Iowa got a great deal on this bronze after it was rejected by Illinois officials for their capitol because it was too scantily clad.

There was at least one moment of frugality in the capitol building. Iowa got a great deal on this bronze after it was rejected by Illinois officials for their capitol because it was too scantily clad.

In  a case before the court in 1868, the Iowa Supreme Court held that “separate” was not “equal” and ordered an African-American admitted to the public schools. This effectively integrated Iowa’s schools 96 years before the federal court decision, Brown v. the Board of Education in Topeka, did the same thing.

The first permanent mosque in North America was built in Cedar Rapids.

In 1939, while most of the world still turned its back on Jews attempting to flee the Nazis (including the U.S. government) the tiny Quaker community just down the road from where we’re camped this trip created a hostel that took in 186 refugees.

Yes, Iowa's first ladies were all clones. At least the dolls depicting them are in this display of inaugural gowns at the capitol. The display was First Ladie Billie Ray's idea, and the dolls were all cast from a mold of her face. The real Billie Ray is the one with the fur and the saucy hairdo.

Yes, Iowa’s first ladies were all clones. At least the dolls depicting them are, in this display of inaugural gowns at the capitol. The display was First Ladie Billie Ray’s idea, and the dolls were all cast from a mold of her face. The real Billie Ray is the one with the fur and the saucy hairdo.

 

 

And of course, four years ago the Iowa Supreme Court ruled that the state’s constitution did not discriminate against any of its citizens, including same sex couples—making it one of the first states to embrace marriage equality. Wedding

And so it is that while we’re on this stop of our journey—Dave and I have chosen to exercise that right. We were married this afternoon in the historic Johnson County Courthouse.